Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Wednesday, January 19, 2022

"Sixty-one years after its publication, White’s siren song of 'a heroic senator defeating an unscrupulous partisan' has lost none of its seductive power, Gellman believes..."

"... esteemed historians remain in its thrall and in Kennedy’s camp. Taylor Branch, Robert Dallek, David Greenberg, Jill Lepore, Fredrik Logevall — apologists and idolaters all, in the author’s view.... Nixon has always had his defenders (including, not least, Nixon himself) and Kennedy his detractors.... Gellman adds nothing here but fresh outrage.... But the white whale here is proof of a stolen election. This book does not provide it. The case it puts forward is circumstantial —

and nothing new. Much is made of 'suspicions' in Texas and 'irregularities' in Illinois as if such charges are, in themselves, dispositive. In the wake of 2020, we should know better than that. And so should a political historian of the mid-20th century: If fraud was a feature of elections in that era, so were accusations of fraud, wielded as a political cudgel. In 1948, for example, a top Republican official charged three Democratic candidates for Senate with 'serious' campaign fraud — more than a week before Election Day. Four years later, pre-emptively again, the Republican National Committee chairman called on federal prosecutors to keep tabs on big-city Democrats — who, he said, would 'stop at nothing' to 'steal' the election. None of this is to deny that Mayor Richard J. Daley of Chicago had a history of ballot manipulation or that votes were likely stolen in Texas. But in recent decades, rigorous studies have underscored what judges and review boards concluded in 1960: To the extent that fraud occurred, it was not enough to change the result — least of all in Texas, where Kennedy’s margin exceeded 46,000 votes."

From "Did John F. Kennedy and the Democrats Steal the 1960 Election?" (NYT), a review of Irwin F. Gellman's book "CAMPAIGN OF THE CENTURY/Kennedy, Nixon, and the Election of 1960."

White is Theodore White, who wrote the incredibly influential book "The Making of the President 1960." They made a movie of it, which you can watch on YouTube in its entirety.

Friday, January 14, 2022

"China is the world’s oldest surviving civilization, and yet very little material of its past remains—far less than in Europe or India."

"Through the centuries, waves of revolutionary iconoclasts have tried to smash everything old; the Red Guards, in the nineteen-sixties, were following an ancient tradition. The Chinese seldom built anything for eternity, anyway, nothing like the cathedrals of Europe. And what survived from the past was often treated with neglect.... As Jing Tsu, a scholar of Chinese at Yale, observes... China had long equated writing 'with authority, a symbol of reverence for the past and a talisman of legitimacy.' This is why mastery of classical Chinese used to be so important. To become an official in imperial China, one had to compose precise scholarly essays on Confucian philosophy, an arduous task that very few could complete. Even Chairman Mao, who incited his followers to destroy every vestige of tradition, proudly displayed his prowess as a calligrapher, establishing himself as the bearer of Chinese civilization.... The classical style of the language, elliptical and complex, was practiced by only a small number of highly educated people.... A linguist, Qian Xuantong, famously argued that Confucian thought could be abolished only if Chinese characters were eradicated. 'And if we wish to get rid of the average person’s childish, naive, and barbaric ways of thinking,' he went on, 'the need to abolish characters becomes even greater.'... Dictatorships shape the way we write and talk and, in many cases, think.... I still shudder at the memory of reading, as a student in the early nineteen-seventies, Maoist publications in Chinese, with their deadwood language, heavy Soviet sarcasm, and endless sentences that sounded like literal translations from Marxist German—the exact opposite of the compressed poeticism of the classical style."

From "How the Chinese Language Got ModernizedFaced with technological and political upheaval, reformers decided that Chinese would need to change in order to survive," by Ian Buruma (The New Yorker).